Pour son deuxième week-end d’exploitation aux Etats-Unis, Superman a récolté 57.3 millions de dollars (-54.2% ; total : 235 millions).
A l’international, Superman a généré 45.2 millions de dollars (total : 171.8 millions)...
Bref, cela nous fait une cagnotte mondiale de 406.8 millions de dollars, avec une répartition ‘Domestic/International’ encore plus déséquilibrée que le week-end dernier (56.8%/43.2% => 57.8%/42.2%).
Grâce au soutien américain, la barre des 600 millions de dollars est de nouveau au menu...
Yehuda a écrit:Une chute proche de 60% pour ce second weekend aux US (et Canada) semble-t-il au vu du -70% de vendredi...
Une fin de carrière aux alentours de 480M worldwide ?
Back in the spring, Bong Joon Ho’s sci-fi epic “Mickey 17” with Robert Pattinson, as well as the Robert De Niro-led crime drama “The Alto Knights,” had set the studio back at least $110 million in losses. But the remaining lineup has delivered some enviable profit margins. Case in point: “Sinners” is expected to generate around $60 million in theatrical profits; “Superman” around $125 million; “Final Destination: Bloodlines” approximately $75 million; “Weapons” around $65 million (and counting), according to knowledgeable individuals. For “F1,” Warner Bros. was paid a flat distribution fee as well as a percentage of revenues in line with certain box office benchmarks, resulting in theatrical profits of roughly $34 million. Warner Bros. declined to comment. A studio insider disputed these figures without providing specific numbers; the source added that Warner Bros. has made roughly $600 million in combined year-to-date theatrical profits before counting the latest “Conjuring.”
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